In the ever-evolving world of hairdressing, the question of when to go freelance is one many stylists grapple with. For some, itβs a natural progression born from ambition and independence; for others, itβs a carefully calculated move toward creative and financial freedom. Few know the balancing act better than John Gillespie, a globally recognised name in the hair industry having worked across 50 different countries for over 4 decades in leadership roles for brands such as Schwarzkopf, LβOreal and Amway Corporation alongside being behind the chair with his clients each and every week.
Today, John is the Managing Director for Phenix Salon Suites across UK and Europe, a role that was born out of seamlessly blended time spent working in-salon with running a successful solo business.

Building a Foundation Before the Leap
βIβve always had huge ambitionsβI wanted to do everything,β says John. βBut I strongly believe that everything starts in the salon. That has to come first.β
He explains that building a client base, refining skills, and maintaining a steady income are crucial before exploring more creative pursuits. βExciting projects donβt always pay well, if at all, so you need something stable to balance that while you build your solo reputation,β he adds.
For John, doing both salon and freelance work wasnβt an accident but a strategic choice. βI did both until I needed to focus on one. That decision evolved over time, itβs never a definitive choice.β
Salon Life vs. Solo Life
Life inside a salon offers camaraderie, shared energy, and the fun of being part of a team. Freelancing, by contrast, offers a different kind of joy. βWhen youβre alone, you get more one-on-one time with your clients and people you meet and connect with along the way. Both have advantages, it just depends on what you prefer.β
Lessons from the Salon Floor
For John, the salon environment is where everything begins. βItβs where you learn the foundation of your skills and the discipline to go freelance later. The salon is your training ground, you can expand from there.β

Recognising the Call to Independence
Not every stylist gets the urge to go solo, but for many, the desire for autonomy becomes impossible to ignore. βItβs that yearning to be your own boss,β says John. βSometimes itβs about time, age, or even the environment youβre in. In the past, the next step was opening a salon, but today, independence usually means going freelance.β
The βah-haβ moment doesnβt always come with drama. βIt can be as simple as that little niggling feeling, like when someoneβs scrolling their phone too loudly on a train,β he laughs. βIt just starts to pick away at you until you know itβs time.β
Preparation Is Everything
Johnβs golden rule? Donβt rush it. βYou need to be prepared in multiple areas. You have to have the skills and the clientele. Going freelance without clients is like jumping without a parachute.β
Even for stylists moving into session work, he stresses the importance of connections and planning. βClients and jobs wonβt come just because youβve gone freelance. You still have to make a living. Ideally, it should be a step forward, not a step back.β
Planning the Business Side
Understanding the financial side of freelancing is crucial. βKnow your costs,β says John. βAt Phenix Salon Suites, for instance, freelancers negotiate rent and everything else is included except their stock. Once you know what your daily costs are, you can work out how much income you need to cover them. Sometimes itβs as simple as one haircut a day.β
Communicating with Clients
Transparency is key during the transition. βBe open with your clients, theyβve often been with you for years,β John advises. βTell them why youβre doing it and how it will enhance their experience. Itβs not just a move for you; itβs a step forward for them too.β
Common Pitfalls & How to Avoid Them
The biggest mistake new freelancers make, according to John, is poor communication. βSome stylists donβt tell clients theyβre going freelance, they assume clients will know where to find them.β
Pricing can also trip people up. βDonβt discount yourself just because you no longer have salon overheads,β he cautions. βPrice yourself based on the value of your service. Itβs much harder to increase prices later if youβve undercharged from the start.β
The Freedom of Going Solo
When you ask John what the best part of freelancing is, he doesnβt hesitate. βYou can completely suit yourself. You choose your hours, your environment, your vibe. If youβre in a Suite, you control everything from the wall colour to the music. Youβre your own boss.β
That autonomy, he says, allows stylists to fully express their creativity. βWeβre all artists. Being freelance lets you paint your own picture, it mirrors your personality and gives you the freedom youβre craving.β
So⦠When Is the Right Time?
βThe right time is different for everyone,β John concludes. βIt has to feel right for you, not just because someone else says so. You need to feel equipped, confident, and have the right clients in place. Donβt rush. Thereβs no one-size-fits-all answer.β
And when youβre ready? βAt Phenix Salon Suites, we make the transition easy. We do the heavy lifting, you just need to be ready to take control of your own entrepreneurial freedom.β
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